LOT 476
Maurice Utrillo
Le Moulin de la Galette
signed, dated and inscribed ‘Moulin de la Galette, Paris-Montmartre,
18ème Arrt. Maurice, Utrillo, V, Décembre 1923,’ (lower right) and
inscribed with an annotated color scale (along the left edge)
gouache, watercolor and black wax crayon on paper
Frost & Reed, Ltd., London.
Robert and Clarice Smith, Virginia (acquired from the above, March
2002).
By descent from the above to the present owner.
LITERATURE
P. Pétridès, L’oeuvre complet de Maurice Utrillo, Paris, 1974, vol. IV, p.
166, no. 133 (illustrated, p. 167).
POST LOT TEXT
The late Jean Fabris confirmed the authenticity of this work.
12¼ x 19½ in. (31.2 x 49.7 cm.)
Executed in December 1923
LOT 481
Maurice Utrillo
Place Jean-Baptiste Clément à Montmartre
signed ‘Maurice, Utrillo, V,’ (lower right) and inscribed ‘–
Montmartre,–’ (lower left)
gouache on card
24¾ x 19⅛ in. (62.9 x 48.6 cm.)
Painted circa 1935-1938
PROVENANCE
Muriel Lauren, New York; Estate sale, Christie’s, New York, 9
November 2006, lot 155.
Acquired at the above sale by the present owner.
POST LOT TEXT
The Comité Utrillo-Valadon has confirmed the authenticity of this
work.
LOT 698
Maurice Utrillo
Cabaret du lapin agile sous la neige
signed ‘Maurice, Utrillo, V,’ (lower right) and inscribed ‘–
Montmartre,–’ (lower left)
oil on canvas
9¾ x 13⅛ in. (24 x 33.2 cm.)
Painted circa 1931
PROVENANCE
Acquired by the late owners, circa 1965.
POST LOT TEXT
The Comité Utrillo has confirmed the authenticity of this work.
LOT 760
Maurice Utrillo
Église Saint-Philibert, Tournus (Saône-et-Loire)
signed and dated ‘Maurice, Utrillo, V, 1930,’ (lower right)
oil on canvas
P. Pétridès, L’oeuvre complet de Maurice Utrillo, Paris, 1969, vol. III, p.
34, no. 1328 (illustrated p. 35).
POST LOT TEXT
The late Jean Fabris confirmed the authenticity of this work.
31⅞ x 23⅝ in. (81.1 x 60.2 cm.)
Painted in 1930
PROVENANCE
Galerie Bernheim-Jeune et Cie., Paris.
Mathilde S. Bing, New York (acquired from the above, 1930); Estate sale, Christie’s, New York, 15 May 1997, lot 405.
Acquired at the above sale by the present owner.
EXHIBITED
Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art; The
Niigata Prefectural Museum of Modern Art; Museum Eki Kyoto and
Aichi, Toyohashi City Museum of Art and History, Maurice Utrillo,
April-December 2010, p. 86, no. 48 (illustrated).
LOT 769
Maurice Utrillo
Le Mont Saint-Michel
signed and dated ‘Maurice, Utrillo, V, Août 1922,’ (lower right)
oil on canvas
P. Pétridès, L’œuvre complet de Maurice Utrillo, Paris, 1962, vol. II, p. 378, no. 985 (illustrated, p. 379)
POST LOT TEXT
The Comité Utrillo has confirmed the authenticity of this work.
18¼ x 21⅞ in. (46.5 x 55.8 cm.)
Painted in August 1922
PROVENANCE
Hammer Galleries, New York (by 1964).
Willy Heineberg, New York (by January 1967).
(probably) Acquired from the above by the late owners.
EXHIBITED
Geneva, Musée d’Art et d’Histoire, Collection Willy Heineberg,
January-February 1967, no. 12.
LOT 773
Maurice Utrillo
Vieux porche à Saint-Bernard
signed and dated ‘Maurice, Utrillo, V, 1927,’ (lower left); inscribed
‘Saint-Bernard, (Ain,),’ (lower right)
oil on canvas
28¾ x 23½ in. (73 x 59.7 cm.)
Painted in 1927
PROVENANCE
Aline Barnsdall, Beverly Hills.
M. Knoedler & Co., Inc., New York.
Anon. sale, Sotheby Parke Bernet, Inc., New York, 17 May 1978, lot 67.
Acquired at the above sale by the present owner.
LITERATURE
P. Pétridès, L’oeuvre complet de Maurice Utrillo, Paris, 1962, vol. II, p.
488, no. 1187 (illustrated, p. 489).
POST LOT TEXT
The Comité Utrillo has confirmed the authenticity of this work.
Lot 779
Maurice Utrillo
Fortifications au nord de Paris
signed and dated ‘Maurice, Utrillo, V, 1925,’ (lower right)
oil on paper laid down on canvas
19⅛ x 24⅞ in. (48.6 x 63 cm.)
Painted in 1925
EXHIBITED
Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art; Niigata
Prefectural Museum of Modern Art; Museum EKI Kyoto and Toyohashi City Art Museum, Maurice Utrillo, April-December 2010, p.
77, no. 40 (illustrated in color).
LITERATURE
P. Pétridès, L’oeuvre complet de Maurice Utrillo, Paris, 1962, vol. II, p. 438, no. 1105 (illustrated, p. 439).
POST LOT TEXT
The late Jean Fabris confirmed the authenticity of this work.
PROVENANCE
Galerie Paul Pétridès, Paris.
Wally Findlay Galleries, Chicago.
Mr. and Mrs. Herbert J. Everts, South Carolina; sale, Sotheby’s, New York, 20 February 1986, lot 40.
Anon. sale, Sotheby’s, London, 29 March 1988, lot 30.
Jean Albou, London; sale, Sotheby’s, London, 30 November 1994, lot 287.
Private collection, Switzerland (acquired at the above sale); sale, Christie’s, London, 25 June 2014, lot 396
Lot 781
Maurice Utrillo
La Cathédrale de Pamiers
signed and dated ‘Maurice, Utrillo, V, 1931’ (lower right) and inscribed
‘Cathédrale de Pamiers–Arièges’ (lower left)
oil on canvas
25⅝ x 21¼ in. (65.2 x 54 cm.)
Painted in Ariège in 1931
PROVENANCE
Anon. sale, Tajan, Paris, 16 December 1997, lot 25.
Private collection, United States (acquired at the above sale).
Gift from the above to the present owner, circa 2010.
POST LOT TEXT
The Comité Utrillo has confirmed the authenticity of this work.